Writer-director Lee Isaac Chung’s Minari comes with a sense of pedigree: His first film, Munyurangabo, about two Rwandan youth, made a huge splash after debuting at Cannes in 2007. His output has been admittedly spotty since then — an oddball character study here (Abigail Harm), a co-directed documentary there (I …
Read More »'Minari' Review: This Boy's Life
